Kajian Ekranisasi Novel Rembulan Tenggelam di Wajahmu Karya Tere Liye dan Film Rembulan Tenggelam di Wajahmu Sutradara Danial Rifki

Authors

  • Chintiya Chintiya Universitas Islam Riau, Indonesia
  • Noni Andriyani

DOI:

https://doi.org/10.25299/j-lelc.2021.7494

Keywords:

ecranization, shrinking, extracting, extracting the various

Abstract

Ecranization is a study that discusses the transfer of the whitewashing of the novel into the film. The problems contained in this research, namely: how is the process of ecranization of the shrinking aspect in the novel Rembulan Tenggelam di Wajahmu? How is the process of ecranization of additional aspects in the novel and film Rembulan Tenggelam di Wajahmu? How is the process of ecranizing the various aspects of change in the novels and films of Rembulan Tenggelam di Facemu? This study aims to determine: the process of ecranization of the shrinking aspect in the novel and film Rembulan Tenggelam di Facemu; The process of ecranization of additional aspects in the novel and film Rembulan Tenggelam di Wajahmu; The process of ecranization of aspects of change varies from novels and films Rembulan Tenggelam di Wajahmu. This research includes library research (Library research). This study uses a qualitative method. Data collection techniques using hermeneutic techniques and observations. The theory used is the theory of Eneste (1991). The results of the study: (1) Aspects of shrinkage there are 97 data that occur in the elements of the plot, characters, and setting of the novel. Such as the absence of 3 characters Rinai, Beverage Trader, Qolu in the novel; (2) Aspects of addition there are 21 data that occur in the elements of plot, character, and film setting. As added scene 1, the characters of Sister and Doctor in the film; (3) Aspects of change vary, there are 34 data that occur in plot elements, characters, and novel settings. Like the changing setting of the atmosphere during the Eid prayer which depicts the caretaker of the orphanage and the orphanage children going to celebrate the takbiran night, while in the novel they go to the field for the Id prayer. The ecranization process causes shrinkage, addition, and various changes. This happens because of the differences in the media used in the making of novels and films, differences in the production process, and differences in the enjoyment process.

Downloads

Download data is not yet available.

References

Andriyani N. (2020). Kritik Sastra Ekologis dalam Drama-Drama Terbaru Indonesia. Jurnal Sastra Indonesia, 9, 85–89. DOI: https://doi.org/10.15294/jsi.v9i2.37904

Andriyani N. (2021) Ekofiminisme dalam Novel Tentang Kamu Karya Tere Liye. Journal of Language Education, Linguistics, and Culture.

https://doi.org/10.15294/jsi.v9i2.37094

Aniskurli, S., Mulyati, S., & Anwar, S. (2020). Ekranisasi Novel Dua Garis Biru karya Lucia Priandarani ke Bentuk Film Dua Garis Biru Karya Gina. S Noer dan Implikasinya Terhadap Pembelajaran Sastra di SMA. Jurnal Wahana Pendidikan, 7(2)(2715–6796), 139–150. DOI: https://doi.org/10.25157/wa.v7i2.3586

https://jurnal.unigal.ac.id/index.php/jwp/article/view/3586

Budiman, E. (2008). Pembahasan Novel dan Film Ekranisasi di Nusantara. CV. Gaza Publishing.

Damono, S. D. (2013). Sastra Bandingan. Editium.

Rifki, D. (2019). Rembulan Tenggelam di Wajahmu

Endraswara, S. (2011). Metode Pembelajaran Drama. CAPS.

Eneste, P. (1991). Novel dan Film. Nusa Indah.

Film, Berita. Sumber https://republika.co.id/berita/q2cxf3414/ltemgtrembulan-tenggelam-di-wajahmultemgt-disiapkan-dalam-dua-bagian.

Hamidy, U., & Yusrianto, E. (2003). Metodologi Penelitian Disiplin Ilmu-Ilmu Sosial dan Budaya (Ketiga). Bilik Kreatif Press

Hamidy. (2005). Rahasia Penciptaan. Bilik Kreatif Press

Hasanuddin WS, H. W.., Aderia P., & Zulfadhli, Z. (2013). Ekranisasi Novel ke Film Surat Kecil Untuk Tuhan. Junrla Bahasa dan Sastra UNP.

Hidayat. (2018). Representasi Nilai-Nilai Keislaman dalam Film Surga yang Tak di Rindukan 2. Skripsi. UIN Syarif Hidayatullah Jakarta.

Inda, Dian N. (2016). Adaptasi Novel Ronggeng Dapuh Paruk ke dalam Film Sang Penari Sebuah Kajian Ekranisasi. Balai Bahasa Kalimantan Barat, 28 (Vol. 28, no. 1, Juni 2016), 25-38. https://aksara.kemdikbud.go.id/jurnal/index.php/aksara/article/view/14.

Kajian Ekranisasi: dari Novel Pintu Terlarang ke Film Pintu Terlarang. (2018). Kajian Ekranisasi: dari Novel Pintu Terlarang Ke Film Pintu Terlarang. https://doi.org/10.21831/diksi.v26i2.15494

Liye, T. (2019). Rembulan Tenggelam di Wajahmu.

Muhammad. (2016). Metode Penelitian Bahasa. Ar-Ruzz Media

Moleong, L. . (2019). Metodologi Penelitian Kualitatif (39th ed.). PT Remaja Rosdakarya.

Huda, N. (2020). Ekranisasi Novel Surga yang Tak di Rindukan Karya Asma Nadia ke dalam Film Surga yang Tak di Rindukan Karya Sutrada Kuntz Agus. Skripsi. FKIP UIR

Nurgiyantoro, B. (2013). Teori Pengkajian Fiksi. Gadjah Mada University Press.

Puspita Nur, W., & Sigit, R. (2019). Kajian Ekranisasi Novel “Assalamualaikum Beijing” Karya Asma Nadia dalam Bentuk Film “Assalamualaikum Beijing” Sutradara Guntur Soeharjanto. Linguista, 3(Vol.3, No.2, Desember2019), 69–79. http://e-journal.unipma.ac.id/index.php/linguista DOI: https://doi.org/10.25273/linguista.v3i2.5728

Rokhmansyah, A. (2014). Studi dan Pengkajian Sastra; Perkenalan Awal Terhadap Ilmu Sastra. Graha Ilmu.

Romadhon, -. (2017). Ekranisasi Sastra: Apresiasi Penikmat Sastra Alih Wahana. Buletin Al-Turas. https://doi.org/10.15408/bat.v23i2.5756 DOI: https://doi.org/10.15408/bat.v23i2.5756

Tarigan, G.H. (2008). Menyimak. Angkasa Bandung

Semi, A. (1990). Metode Penelitian Sastra (21st ed.). Angkasa.

Suwandi, B. (2008). Memahami Penelitian Kualitatif. Rineka Cipta.

Wildatur, R.F. 2019. Ekranisasi dari Novel Faith and the City Karya Hanum Salsabiela Rais dan Rangga Almahendra. Skripsi. FKIP UIR Pekanbaru.

Downloads

Published

2021-12-31

How to Cite

Chintiya, C., & Noni Andriyani. (2021). Kajian Ekranisasi Novel Rembulan Tenggelam di Wajahmu Karya Tere Liye dan Film Rembulan Tenggelam di Wajahmu Sutradara Danial Rifki. J-LELC: Journal of Language Education, Linguistics, and Culture, 1(3), 5462. https://doi.org/10.25299/j-lelc.2021.7494